Nope, NOT 20 m/s. To them the ball is transferring at 30 m/s (i.e., 10 + 20). A lot for frequent sense. The distinction arises from the truth that they’re measuring from totally different “reference frames,” one transferring, the opposite stationary.
It’s all good, although; everybody agrees on the result. If the ball hits the particular person, the miscreants and the bystander would calculate the identical time of influence. Sure, the individuals within the automotive see the ball transferring at a slower velocity, however in addition they see the bystander transferring towards them (from their perspective), so it really works out the identical ultimately.
That is the opposite fundamental postulate of particular relativity: The physics are the identical for all reference frames—or to be particular, for all “inertial,” or non-accelerating, frames. Observers may be transferring at totally different velocities, however these velocities need to be fixed.
Anyway, now possibly you’ll be able to see why it’s really fairly weird that the velocity of sunshine is similar for all observers, no matter their movement.
Waves in an Empty Sea
How did Einstein get this loopy thought ? I’m going to point out you two causes. The primary is that mild is an electromagnetic wave. Physicists had lengthy identified that mild behaved like a wave. However waves want a medium to “wave” in. Ocean waves require water; sound waves require air. Take away the medium and there’s no wave.
However then, what medium was daylight passing via because it traveled via house? Within the 1800s, many physicists believed there should be a medium in house, they usually known as it the luminiferous aether as a result of that’s enjoyable to say.
In 1887, Albert Michelson and Edward Morley devised a intelligent experiment to detect this aether. They constructed a tool known as an interferometer, which cut up a beam of sunshine in half and despatched the halves alongside two paths of equal size, bouncing off mirrors, and merging once more at a detector, like this:
Illustration: Rhett Allain
