Michael Ball Defends Opera and Ballet After Timothée Chalamet’s Dismissal

Metro Loud
4 Min Read

West End star Michael Ball strongly defends opera and ballet following Timothée Chalamet’s controversial statement that no one cares about these art forms.

Chalamet’s Remarks Spark Outrage

During a Variety/CNN Town Hall on February 24 with Matthew McConaughey, his Interstellar co-star, the 30-year-old actor expressed concerns about cinema’s future. He stated, ‘I don’t want to be working in ballet or opera. Things where it’s like, “Hey, keep this thing alive, even though no one cares about this anymore.”‘

Chalamet quickly added, ‘All respect to all the ballet and opera people out there… I just lost 14 cents in viewership. Damn, I just took shots for no reason.’

Michael Ball’s Fierce Rebuttal

Michael Ball, 63, known for his baritone voice in musical theater and Olivier Award wins, responded on Magic Radio with Gaby Roslin. He emphasized humanity’s enduring love for performance arts: ‘The human race have been dancing and singing since we could walk, since we came out of the primordial swamp, it ain’t going anywhere.’

Ball highlighted performers’ passion: ‘Dancers go out and leave their hearts and quite a bit of blood on the dancefloor because they love it and the audience absolutely are entranced… And the training and dedication for opera is extraordinary, the musicality, the skill. And it wouldn’t be going if people didn’t enjoy it and didn’t want to see it and get something from it.’

Fans praised his words on social media, commenting ‘Well said’ and ‘preach it.’ Ball debuted in the West End in 1985 as Marius in Les Misérables and has earned two Laurence Olivier Awards for Best Actor in a Musical.

Wider Industry Backlash

Chalamet’s comments drew criticism from Hollywood’s Jamie Lee Curtis, singer Doja Cat, London’s Royal Ballet, and others. U.S. opera singer Isabel Leonard called his views ‘weak’ and ‘narrow-minded’ on social media: ‘To take cheap shots at fellow artists says more in this interview than anything else he could say… You don’t have to like all art but only a weak person/artist feels the need to diminish… the very arts that would inspire those who are interested.’

Canadian mezzo-soprano Deepa Johnny agreed: ‘What a disappointing take. There is nothing more impressive than the magic of live theatre, ballet and opera. We should be trying to uplift these art forms.’

New York City’s Metropolitan Opera responded with a video montage of staff at work, captioned ‘All respect to the opera (and ballet) people out there’ and ‘This one’s for you, Timothée Chalamet.’

The discussion arose while addressing Hollywood support for theaters. Chalamet noted, ‘I admire people… doing a talk show about how we’ve got to keep movie theatres alive.’ He contrasted hits like Barbie and Oppenheimer with less mainstream arts. McConaughey supported him: ‘That’s not a shot, I hear what you’re saying.’

Family Connection Adds Irony

Chalamet’s mother, Nicole Flender, 68, trained at the School of American Ballet and taught dance from 1990 to 2015. His late grandmother, Enid Flender, who passed at 95 in 2022, performed in Broadway shows like Kiss Me, Kate (1949-1951) and Make Mine Manhattan (1949).

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