“I feel we are able to all agree that the planet’s about to get quite a bit hotter and quite a bit wetter,” Hawley says, and Bangkok is a tropical location crammed with rivers and canals. Initially, he envisioned Prodigy’s troopers shifting round New Siam on trains, however as soon as he visited Bangkok, “it grew to become very clear: We’ll put folks on boats, [and] it’s going to assist promote this concept that the water has reclaimed a few of the metropolis.”
Hawley’s design staff constructed out a sq. mile of New Siam in Unreal Engine, the identical graphics software program used to develop video video games like Fortnite and Ultimate Fantasy VII Rebirth. Within the eyes of Prodigy, there are “tiered layers” of the town, in response to Hawley: Humanity Minus, Humanity Plus, and Humanity Prime (although this idea isn’t mentioned on-screen within the last lower of the sequence).
“The upper you go, the richer you’re, and the decrease you go, the poorer you’re,” Hawley says. When Prodigy troopers descend to the place the Maginot crashed, we see “Humanity Minus” dwelling in darkish subterranean hovels, however once they ascend the corporate’s supertall towers, they come upon a Louis XIV-themed social gathering straight out of J. G. Ballard’s Excessive-Rise. Even greater, we first meet the CEO of Weyland-Yutani 1000’s of toes above one other company metropolis (an unnamed one Chicagoans will acknowledge).
“The place Are the Adults” in a World Run by Trillionaires?
In our precise current, Elon Musk, a 54-year-old man who nonetheless thinks 4/20 jokes are humorous, is poised to grow to be one of many first trillionaires. Within the twenty second century of Alien: Earth, the “youngest trillionaire ever” is Boy Kavalier, performed by Samuel Blenkin, an egomaniacal “boy genius” who based Prodigy when he was 6 years previous and is now in his early twenties.
“The CEO of this firm tells himself he is Peter Pan,” Hawley says. “And then you definately learn Peter Pan and also you go, ‘That’s a darkish guide.’ He’s kidnapping these youngsters, he is taking them to this island, [and] it is implied that once they begin to develop up, he removes them.” In a pleasant literary parallel, Kavalier creates the primary hybrids in a analysis facility on a secluded island known as Neverland and renames them after Peter Pan’s Misplaced Boys.
Alongside his costume designer Suttirat Anne Larlarb, Hawley determined that Kavalier would put on pajamas with no footwear all through the sequence as a result of he owns every little thing in Prodigy Metropolis and Neverland. “The whole lot’s his home,” Hawley says. “The factor about cash that I’ve noticed is at a sure level, every little thing is simply free. You don’t really feel the lack of the cash, you’re not truly shopping for something or conscious of the transactions.”
However Kavalier’s ultrawealthy mindset additionally impacts the best way he sees and treats different folks. “Triage the rescue by earnings bracket,” he instructs his right-hand man after the Maginot crash turns Prodigy Metropolis right into a mass casualty occasion. Hawley says Kavalier “is a means of literalizing what I really feel once I look world wide that I am dwelling in proper now, which is: The place are the adults? The place are the individuals who suppose extra about tomorrow than right now?”
“Retro-Futurism” Meets Model-New Monsters
The primary episode opens on the Maginot, the place Hawley’s manufacturing designers painstakingly re-created the feel and appear of Ridley Scott’s Nostromo. “That’s what Alien is, so far as I’m involved,” Hawley says. “It’s the retro-futurism. It is these previous cathode [ray] tube screens. It’s the inexperienced ASCII textual content. It is these loopy keyboards with the Egyptian hieroglyphics the place, like, how do they even know what they’re writing?”
Whereas 1979’s Alien spent 40 minutes establishing the on a regular basis lives of house truckers, Hawley knew Alien: Earth needed to accomplish the identical factor in simply 4 minutes. “Translating a movie to tv, your first job is authenticity,” Hawley says, so the Maginot was designed primarily based on Ridley Scott’s Nostromo blueprints “all the way down to the props.”
